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Dal Surrealism And Cinema


Author : Elliott H. King
language : en
Publisher: Oldcastle Books
Release Date : 2010-10-21


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Salvador Dali is one of the most widely recognised and most controversial artists of the twentieth century. He was also an avant-garde filmmaker -- collaborating with such giants as Luis Bunuel, Walt Disney and Alfred Hitchcock -- though the impetus and endurance of his fascination with film has rarely been given the attention it merits. King surveys the full range of Dali's eccentric activities with(in) the cinema. Influenced by the Marx Brothers, Buster Keaton and Stanley Kubrick, Dali used the cinema to bring the 'dream subjects' of his paintings to life, providing the groundwork for revolutionary forays into television, video, photography and holography. Dali's writings continue to be relevant to discourses surrounding film and surrealism, and his embrace of academic technique partnered with contemporary technology and pop culture is a paradox still relevant today. From a movie-going experience that would incorporate all five senses to the tale of a woman's hapless love affair with a wheelbarrow, Dali's hallucinatory vision never fails to leave its indelible mark.

The Age Of Gold


Author :
language : en
Publisher:
Release Date : 2008


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Surrealist cinema as epitomised by Un Chien Andalou and L'Age D'Or, was a knife through the very heart of the establishment - a scorpionic, scatological black joke galvanised by the irrational, the uncanny and the spectre of de Sade. Author Robert Short revisits these two seminal films and documents the experimental cinematic theories of Antonin Artaud and the filming of his Surrealist scenario The Seashell and the Clergyman. Short also looks at the work of Hans Richter, Jean Cocteau, Marcel Duchamp and Man Ray.

Surrealism


Author : Silvano Levy
language : en
Publisher: NYU Press
Release Date : 1996


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Dal. Picasso. Ernst. Magritte. Maddox. Breton. Artaud, Fondane, Masson--all are to be found in this gallery of surrealist artists. Focussing on surrealist visuality--defined as the visual expression of internal perception or, in Andr Breton's words, internal representation--the contributors to this handsomely illustrated volume shed new light on one of the twentieth century's most exciting cultural movements.

Surrealism And Cinema


Author : Michael Richardson
language : en
Publisher: Berg
Release Date : 2006-03-01


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Surrealism has long been recognised as having made a major contribution to film theory and practice, and many contemporary film-makers acknowledge its influence. Most of the critical literature, however, focuses either on the 1920s or the work of Buuel. The aim of this book is to open up a broader picture of surrealism's contribution to the conceptualisation and making of film. Tracing the work of Luis Buuel, Jacques Prvert, Nelly Kaplan, Walerian Borowcyzk, Jan vankmajer, Raul Ruiz and Alejandro Jodorowsky, Surrealism and Cinema charts the history of surrealist film-making in both Europe and Hollywood from the 1920s to the present day. At once a critical introduction and a provocative re-evaluation, Surrealism and Cinema is essential reading for anyone interested in surrealist ideas and art and the history of film.

The Shadow And Its Shadow


Author : Paul Hammond
language : en
Publisher: City Lights Books
Release Date : 2000-11-01


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Here is a classic collection of writings by the Surrealists on their mad love of moviegoing. Forty-odd theoretical, polemical, and poetical essays document Surrealism's scandalous and nonreductive take on film. The essayists include such names as Breton, Aragon, Desnos, Dali, Bunuel, and Man Ray, as well as many of the less famous, though equally fascinating figures of the movement. Table of Contents:Available light / Paul Hammond Some surrealist advice / The Surrealist Group War letter / Jacques Vache On decor / Louis Aragon Cinema U.S.A. / Philippe Soupault Battlegrounds and commonplaces / Rene Crevel Against commercial cinema / Benjamin Peret Buster Keaton's College / Luis Bunuel Abstract of a critical history of the cinema / Salvador Dali The marvelous is popular / Ado Kyrou As in a wood / Andre Breton Picture palaces / Robert Desnos Plan for a cinema at the bottom of a lake / Bernard Roger The lights go up / Jacques Brunius Surrealism and cinema / Jean Goudal Introduction to black-and-white magic / Albert Valentin Crossing the bridge / Jacques Brunius Sorcery and cinema / Antonin Artaud The screen's prestige / Jacques Brunius Remarks on cinematic oneirism / Robert Benayoun The cinema, instrument of poetry / Luis Bunuel Malombra, aura of absolute love / The Romanian Surrealist Group Data toward the irrational enlargement of a film: The Shanghai Gesture / The Surrealist Group The film and I / Ado Kyrou Cinemage / Man Ray Another kind of cinema / Marcel Marien Intention and surprise / Nora Mitrani The ideal summa / Petr Kral Turkey broth and unlabeled love potions / Gerard Legrand The fantastic - the marvelous / Ado Kyrou Concerning King Kong / Jean Ferry Larry Semon's message / Petr Kral Hands off love / The Surrealist Group Chaplin, the copper's nark / Jean-Louis Bedouin Manifesto of the Surrealists concerning L'ge d'orr / The Surrealist Group Zaroff; or, The prosperities of vice / Robert Benayoun Eroticism / Robert Desnos Eroticism = love / Ado Kyrou Au repas des guerrieres / Nelly Kaplan Female x film =

Dal And Surrealism


Author : Dawn Ades
language : en
Publisher: Icon
Release Date : 1982


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Critically examines Dali's works and artistic techniques to explore his role in and relationship to the surrealism movement although he was rejected by leading surrealists

Dada And Surrealist Film


Author : Rudolf E. Kuenzli
language : en
Publisher: MIT Press
Release Date : 1996


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This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements. The essays, which comment on specific films and deal with theoretical and topical questions, are framed by a documentary section that includes a photographic reproduction of the manuscript scenario for Robert Desnos's and Man Ray's L'Etoile de mer, and an introduction by the editor that provides a cogent working model for the difference between Dada and Surrealist perspectives.