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Denman Ross And American Design Theory


Author : Marie Ann Frank
language : en
Publisher: UPNE
Release Date : 2011


Download Denman Ross And American Design Theory written by Marie Ann Frank and has been published by UPNE this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Design categories.


The life and thought of one of the founders of twentieth-century American design

A Theory Of Pure Design Harmony Balance Rhythm


Author : Denman Waldo Ross
language : en
Publisher:
Release Date : 2017-08-22


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The Painters Palette


Author : Denman Waldo Ross
language : en
Publisher:
Release Date : 2015-07-07


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Excerpt from The Painters Palette: A Theory of Tone Relations, an Instrument of Expression In taking up the practice of painting, it is a question what pigments to use, how to arrange them on the palette, and then how to use the palette. Following the example of most painters, we take certain pigments; blacks, browns, reds, yellows, greens, blues, and whites; and, putting them in a row, we proceed to mix them, two or more together, quite freely, following our visual impressions or the suggestions of the imagination. In so doing we hope to produce results and effects which will be appropriate to what we have seen or to the ideas we have to express. There is no principle or law in this procedure and the effects produced depend, in every case, upon the taste and judgment of the performer; who is, necessarily, as much concerned with the problems of the palette as he is with the problem of his Motif or Subject, whether it is well chosen; of his Design, whether it is consistent; or of his Drawing, whether it is true or expressive. It is so difficult to decide what to do, in view of the great number and variety of pigments, and the infinite possibilities of mixing them together. Most painters get over the difficulty by acquiring a habit and doing the same thing repeatedly, following the precedents of their own particular practice, whatever it happens to be. Considering the Art of Music and the use of musical instruments, it seems that the musician has a great advantage over the painter in having a fixed scale of tones and definite rules for using it, - rules based on good precedents and representing the practice of recognized masters. Thinking of musical instruments and the laws of Counterpoint and of Harmony, the question comes up whether it may not be possible for the painter to convert his palette into an instrument of precision and to make the production of effects of light and color a well ordered procedure, - a procedure which everyone can understand and follow. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Rethinking Basic Design In Architectural Education


Author : Mine Ozkar
language : en
Publisher: Routledge
Release Date : 2017-03-27


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Rethinking Basic Design in Architectural Education provides historical and computational insights into beginning design education for architecture. Inviting the readers to briefly forget what is commonly known as basic design, it delivers the account of two educators, Denman W. Ross and Arthur W. Dow, from the turn of the twentieth century in Northeast America, interpreting key aspects of their methodology for teaching foundations for design and art. This alternate intellectual context for the origins of basic design as a precursor to computational design complements the more haptic, more customized, and more open-source design and fabrication technologies today. Basic design described and illustrated here as a form of low-tech computation offers a setting for the beginning designer to consciously experience what it means to design. Individualized dealings with materials, tools, and analytical techniques foster skills and attitudes relevant to creative and technologically adept designers. The book is a timely contribution to the theory and methods of beginning design education when fast-changing design and production technology demands change in architecture schools’ foundations curricula.

The Theory Of Pure Design And American Architectural Education In The Early Twentieth Century


Author : Marie Ann Frank
language : en
Publisher:
Release Date : 1996


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Rethinking Basic Design In Architectural Education


Author : Mine Ozkar
language : en
Publisher: Taylor & Francis
Release Date : 2017-03-27


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Rethinking Basic Design in Architectural Education provides historical and computational insights into beginning design education for architecture. Inviting the readers to briefly forget what is commonly known as basic design, it delivers the account of two educators, Denman W. Ross and Arthur W. Dow, from the turn of the twentieth century in Northeast America, interpreting key aspects of their methodology for teaching foundations for design and art. This alternate intellectual context for the origins of basic design as a precursor to computational design complements the more haptic, more customized, and more open-source design and fabrication technologies today. Basic design described and illustrated here as a form of low-tech computation offers a setting for the beginning designer to consciously experience what it means to design. Individualized dealings with materials, tools, and analytical techniques foster skills and attitudes relevant to creative and technologically adept designers. The book is a timely contribution to the theory and methods of beginning design education when fast-changing design and production technology demands change in architecture schools’ foundations curricula.

The China Collectors


Author : Karl E. Meyer
language : en
Publisher: St. Martin's Press
Release Date : 2015-03-10


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Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?