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Great Masters In Painting Rembrandt Van Rijn


Author : Malcolm Bell
language : en
Publisher:
Release Date : 2010


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Rembrandt S House


Author : Anthony Bailey
language : en
Publisher: I.B.Tauris
Release Date : 2014-10-30


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No.4 Breestraat, Amsterdam, is an imposing 17th century house, but little different from many big old houses in the city. What makes it exceptional is that for twenty years one of the world's greatest artists lived here - Rembrandt van Rijn, master painter of the time. This is the story of that house, the world Rembrandt observed in and around it and the special universe he created in his studio there. In this unique and imaginative portrait, Anthony Bailey pieces together the events and circumstances which shaped Rembrandt's career - from his beginnings in Leiden and early apprenticeship to his marriage and personal relationships; his restless artistic energy, creative triumphs and, finally, his slow fall from fashion and descent into financial hardship, which forced him to sell his home. With as many levels and hidden corners as the house Bailey describes, this is at once biography, travel writing and history of a golden age.

Harmensz Van Rijn Rembrandt


Author : Emile Michel
language : en
Publisher: Parkstone International
Release Date : 2011-07-01


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Rembrandt is completely mysterious in his spirit, his character, his life, his work and his method of painting. What we can divine of his essential nature comes through his painting and the trivial or tragic incidents of his unfortunate life; his penchant for ostentatious living forced him to declare bankruptcy. His misfortunes are not entirely explicable, and his oeuvre reflects disturbing notions and contradictory impulses emerging from the depths of his being, like the light and shade of his pictures. In spite of this, nothing perhaps in the history of art gives a more profound impression of unity than his paintings, composed though they are of such different elements, full of complex significations. One feels as if his intellect, that genial, great, free mind, bold and ignorant of all servitude and which led him to the loftiest meditations and the most sublime reveries, derived from the same source as his emotions. From this comes the tragic element he imprinted on everything he painted, irrespective of subject; there was inequality in his work as well as the sublime, which may be seen as the inevitable consequence of such a tumultuous existence. It seems as though this singular, strange, attractive and almost enigmatic personality was slow in developing, or at least in attaining its complete expansion. Rembrandt showed talent and an original vision of the world early, as evidenced in his youthful etchings and his first self-portraits of about 1630. In painting, however, he did not immediately find the method he needed to express the still incomprehensible things he had to say, that audacious, broad and personal method which we admire in the masterpieces of his maturity and old age. In spite of its subtlety, it was adjudged brutal in his day and certainly contributed to alienate his public. From the time of his beginnings and of his successes, however, lighting played a major part in his conception of painting and he made it the principal instrument of his investigations into the arcana of interior life. It already revealed to him the poetry of human physiognomy when he painted The Philosopher in Meditation or the Holy Family, so deliciously absorbed in its modest intimacy, or, for example, in The Angel Raphael leaving Tobias. Soon he asked for something more. The Night Watch marks at once the apotheosis of his reputation. He had a universal curiosity and he lived, meditated, dreamed and painted thrown back on himself. He thought of the great Venetians, borrowing their subjects and making of them an art out of the inner life of profound emotion. Mythological and religious subjects were treated as he treated his portraits. For all that he took from reality and even from the works of others, he transmuted it instantly into his own substance.

Rembrandt S Eyes


Author : Simon Schama
language : en
Publisher: Vintage Canada
Release Date : 2001


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For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance; the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between. More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by; the Leiden miller's son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no other painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). "Rembrandt's Eyes, about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Though a succession of superbly incisive descriptions and interpretations of Rembrandt'spaintings threaded into his narrative, he allows us to see Rembrandt's life clearly and to think about it afresh. But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality. "Rembrandt's Eyes shows us "why Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama's understanding of Rembrandt's mind and the dynamic of his life allows him to re-create Rembrandt's life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt's own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever beenwritten, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" ... "rare, imaginative" ... "provocative" ... "astoundingly learned with verve, humor, and an unflagging sense of delight" ... that of "a master storyteller ... and a master of history."* Quotes from the "New York Times Book Review, Time, the "New York Times, The Independent on Sunday, and "Nature, respectively.

Montage Reflections Of The Great Masters


Author : James William Allen
language : en
Publisher: Xlibris Corporation
Release Date : 2014-05-07


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From Botticelli to Bouguereau, from Rembrandt to Van Gogh, Montage Reflections of the Great Masters is a comprehensive synopsis of art history from the Early Renaissance to the Post-Impressionist period. The book touches upon some of the greatest artists of all time, their techniques and styles, and the impetus behind their works. As you delve into various cultures, feast your eyes on a selection of the world’s most momentous creations on canvas, embedded in the luminance of the author’s carefully crafted montages. Behold details from Michaelangelo’s Sistine Chapel ceiling, a quintessential artistic tour de force; be a spectator at Renoir’s Luncheon of the Boating Party; and visit Monet’s garden – all in the space of one afternoon. This work is bound to inspire the reader to journey beyond what the eye perceives.

Dutch Masters Frans Hals Johannes Vermeer And Rembrandt Van Rijn


Author : Cynthia Swain
language : en
Publisher: Benchmark Education Company
Release Date : 2011-01-01


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During the 1600s in Holland, world trade, artistic expression, and freedom flourished. Artists such as Hals, Vermeer, and Rembrandt gave rise to this period of Dutch art being called the Golden Age. What does the reviewer think of various works by these Dutch Masters? Will you agree or disagree? Will you want to view more works of art by one, several, or all of the artists? Read these reviews to find out.

Rembrandt


Author : Rembrandt Harmenszoon van Rijn
language : en
Publisher:
Release Date : 2008-02


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This book contains a carefully chosen collection of Rembrandt's masterpieces, ranging from large oils to intimate pen and ink drawings, coupled with the Gospel text to capture the wonder and mystery of the birth of Christ.