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Author : Claudia Cieri Via
language : it
Publisher: Gius.Laterza & Figli Spa
Release Date : 2014-10-02T00:00:00+02:00
Download Introduzione A Aby Warburg written by Claudia Cieri Via and has been published by Gius.Laterza & Figli Spa this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-02T00:00:00+02:00 with Art categories.
Studioso di Botticelli, Ghirlandaio, Leonardo, Dürer e Rembrandt, ma anche di mitologia e astrologia, Aby Warburg (1866-1929) deve la sua fama all'istituto da lui fondato ad Amburgo e al suo eccentrico progetto Mnemosyne, l'Atlante della Memoria. Da qui si è configurata la sua storia delle immagini, definita una 'scienza senza nomi', che rompe con l'impostazione cronologica ed evolutiva della tradizione storiografica, per imporsi come sistema di pensiero depositato nella costruzione della sua Biblioteca, l'eredità più tangibile che lo studioso ha consegnato alla storia.
Author : Kurt Walter Forster
language : it
Publisher: Pearson Italia S.p.a.
Release Date : 2002
Download Introduzione Ad Aby Warburg E All Atlante Della Memoria written by Kurt Walter Forster and has been published by Pearson Italia S.p.a. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Art categories.
Author : Roelof van Straten
language : en
Release Date : 1994
Download An Introduction To Iconography written by Roelof van Straten and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Art categories.
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Carlo Ginzburg
language : en
Publisher: Italian List
Release Date : 2017-07-15
Download Fear Reverence Terror written by Carlo Ginzburg and has been published by Italian List this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-15 with History categories.
We are surrounded by images, fairly drowning in them. From our cell phones to our computers, from our televisions at home to the screens that light up while we wait in the grocery store checkout line, images of all kinds are seducing us, commanding us to buy!, scaring us, dazzling us. Fear, Reverence, Terror invites us to look at images slowly, with the help of a few examples: Picasso's Guernica, the "Lord Kitchener Wants You" First World War recruitment poster, David's Marat, the frontispiece of Thomas Hobbes's Leviathan, a cup of gilded silver with scenes from the conquest of the New World. Are these political images, Carlo Ginzburg asks? Yes, because every image is, in a sense, political--an instrument of power. Tacitus once wrote, unforgettably, that we are enslaved by lies of which we ourselves are the authors. Is it possible to break this bond? Fear, Reverence, Terror will answer this question. Praise for Ginzburg "Ginzburg has many claims to be considered the outstanding European historian of the generation which came of age in the late Sixties. Certainly few have equalled him in originality, variety, and audacity."--London Review of Books "Ginzburg's scholarship is dazzling and profound."--Publisher's Weekly
Author : Francesco Pascuzzi
language : en
Publisher: Rowman & Littlefield
Release Date : 2015-01-21
Download Dreamscapes In Italian Cinema written by Francesco Pascuzzi and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-21 with Drama categories.
This book explores the oneiric in Italian cinema from filmic representations and visualizations of dreams, nightmares, hallucinations, and dream-like and hypnotic states, to dreams as cinematic allegories and metaphors and the theoretical frameworks applied to the investigation of this relationship.
Author : Stephen John Campbell
language : en
Publisher: Yale University Press
Release Date : 2004
Download The Cabinet Of Eros written by Stephen John Campbell and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Art categories.
The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d’Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genre--the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors.
Author : Christopher D. Johnson
language : en
Publisher: Cornell University Press
Release Date : 2012-07-26
Download Memory Metaphor And Aby Warburg S Atlas Of Images written by Christopher D. Johnson and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-26 with Art categories.
The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.