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Matisse And Picasso

Author : Jack Flam
language : en
Publisher: Hachette UK
Release Date : 2008-08-04

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Matisse and Picasso achieved extraordinary prominence during their lifetimes. They have become cultural icons, standing not only for different kinds of art but also for different ways of living. Matisse, known for his restraint and intense sense of privacy, for his decorum and discretion, created an art that transcended daily life and conveyed a sensuality that inhabited an abstract and ethereal realm of being. In contrast, Picasso became the exemplar of intense emotionality, of theatricality, of art as a kind of autobiographical confession that was often charged with violence and explosive eroticism. In Matisse and Picasso, Jack Flam explores the compelling, competitive, parallel lives of these two artists and their very different attitudes toward the idea of artistic greatness, toward the women they loved, and ultimately toward their confrontations with death.

Matisse And Picasso

Author : Yve-Alain Bois
language : en
Publisher: Flammarion-Pere Castor
Release Date : 2001-01-01

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Fiercely competitive, Matisse and Picasso engaged in one of the most formidable artistic dialogues of this century. The intense beginning of the relationship between the two artists - from the time they met in 1906 until 1917, when Matisse left for Nice - has already been amply studied, but their continuous exchange during the second part of their careers has never been examined in detail. In Matisse and Picasso, Yve-Alain Bois stages the intertwined evolution of the two giants of modern art as if it were an ongoing game of chess between two masters. As Joachim Pissarro points out in the foreword of this volume, Matisse and Picasso's dense plot and rich narrative make this work read more like a suspense novel than a traditional art history treatise. Bois' thoroughly researched historical demonstration is supported by striking visual juxtapositions of works by the two artists brought together here for the first time, making this long-awaited study a major contribution to the history of twentieth-century art.

Matisse And Picasso

Author : Françoise Gilot
language : en
Publisher: Anchor
Release Date : 1992

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A long-time companion of Picasso describes the artistic and personal friendship between two giants of twentieth-century art, capturing the affection, rivalry, and creative interaction of the two geniuses, along with examples of their works

Matisse Picasso And Gertrude Stein

Author : Gertrude Stein
language : en
Publisher: Gertrude Stein
Release Date : 2017-01-25

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When they are very little just only a baby you can never tell which one is to be a lady. There are some when they feel it inside them that it has been with them that there was once so very little of them, that they were a baby, helpless and no conscious feeling in them, that they knew nothing then when they were kissed and dandled and fixed by others who knew them when they could know nothing inside them or around them, some get from all this that once surely happened to them to that which was then every bit that was then them, there are some when they feel it later inside them that they were such once and that was all that there was then of them, there are some who have from such a knowing an uncertain curious kind of feeling in them that their having been so little once and knowing nothing makes it all a broken world for them that they have inside them, kills for them the everlasting feeling; and they spend their life in many ways, and always they are trying to make for themselves a new everlasting feeling.

Looking At Matisse And Picasso

Author : María del Carmen González
language : en
Release Date : 2003-01-01

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Henri Matisse and Pablo Picasso have long been seen as the twin giants of modern art. Despite their rivalry, each came to acknowledge the other as his only true equal: Matisse would eventually say, "Picasso sees everything," while for Picasso, "All things considered, there is only Matisse." This book is one of two produced to accompany a major exhibition on the two artists' work. The first book is the exhibition's 400-page catalogue Matisse Picasso. Looking at Matisse and Picassois a shorter study, providing a general introduction to the artists and comparing a representative selection of their works. The illustrations have been selected to demonstrate the visual relationships in Matisse's and Picasso's art in a clear and dramatic way, and the brief texts, written by members of the staff of the Museum of Modern Art's Department of Education, vividly illuminate the parallels and resonances in the two men's lives and work. Matisse and Picasso are polar opposites but also complementary figures. Between them they are the originators of many of the most significant innovations of 20th-century painting and sculpture, but their relationship has rarely been explored in all of its closeness and complexity. In spite of their initial rivalry, the two masters eventually acknowledged one another as equals, becoming, in their old age, increasingly important to one another both artistically and personally. From the time of their initial encounters in 1906 in Gertrude and Leo Stein's Paris studio until 1917, they individually produced some of the greatest art of the 20th century and maintained an openly competitive relationship brimming with intense innovation. This period saw them create such works as Picasso's majestic "Woman with a Fan" of 1908 and Matisse's great portrait of his wife of 1913. Matisse responds to Synthetic Cubism in his "Piano Lesson" of 1916 and Picasso comes back in turn with a new, more decorative Cubism in "Three Musicians" of 1921. The 20s saw them grow apart, as Matisse moved from Paris to Nice and Picasso became involved with the Surrealists, but the 30s brought them together again, through their sheer fame and devotion to reality-based art. Their story continues until Matisse's death in 1954, when Picasso paid his friend and colleague tribute in his series Women of Algiers, of which he said, "When Matisse died, he left his odalisques to me as a legacy."

Matisse Picasso

Author : Elizabeth Cowling
language : en
Release Date : 2002-05-31

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Toward Modern Art

Author : Serge Lemoine
language : en
Publisher: Rizzoli International Publications
Release Date : 2002

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This catalogue of the major exhibition at the Palazzo Grassi in Venice presents a groundbreaking interpretatioin of the birth of modern art. Serge Lemoine, curator of the exhibition and director of the Musée d'Orsay, proposes that "modern art does not descend, as is commonly thought, from Manet and Impressionism, but from . . . the French painter Pierre Puvis de Chavannes (1824-1898)." The author of monumental mural decorations in such civic buildings as the museums of Amiens, Lyons, Rouen, the Panthéon and the Sorbonne, Puvis de Chavannes had a remarkable influence on his contemporaries in France and abroad, including Seurat, Gauguin and Cézanne, as well as on later generations of artists. Equally indebted to Puvis de Chavannes are the great European symbolist painters, from Munch to Hodler. However, perhaps his most prestigious modern acolytes were Picasso and Matisse, who remained loyal to him all their lives. This volume features detailed scholarly contributions analyzing Puvis de Chavannes's work and all his affiliations, as well as offering rich critical and documentary data on his numerous and notable disciples. Accompanied by over five hundred illustrations, this volume is a superb evocation of a period of great artistic ferment and outstanding creativity. A landmark study, Toward Modern Art makes the bold argument that modern art does not descend, as is commonly described, from Manet and Impressionism, but rather from the unlikely figure of French painter Pierre Puvis de Chavannes (1824-1898). This gorgeously illustrated volume with over 500 full color illustrations, was organized by Serge Lemoine, director of Musée d'Orsay in Paris, and includes over 15 essays by distinguished writers. Lemoine's side-by-side comparisons and expert commentary bear witness to his groundbreaking thesis.