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Surrealism And Architecture


Author : Thomas Mical
language : en
Publisher: Psychology Press
Release Date : 2005


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This is a historically informed examination of architecture's perceived absence in surrealist thought, surrealist tendencies in the theories and projects of modern architecture, and the place of surrealist thought in contemporary design. This book represents current insights into surrealism in the thought and practice of modern architecture. In these essays, the role of the subconscious, the techniques of defamiliarization, aesthetic and social forces affecting the objects, interiors, cities and landscapes of the twentieth century are revealed. The book contains a diversity of voices from across modern art and architecture to bring into focus what is often overlooked in the histories of the modernist avant-garde. This collection examines the practices of writers, artists, architects, and urbanists with emphasis on a critique of the everyday world-view, offering alternative models of subjectivity, artistic effect, and the production of meanings in the built world.

Celebrating The Marvellous


Author : Neil Spiller
language : en
Publisher: John Wiley & Sons
Release Date : 2018-03-26


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We are entering a new era of architecture that is technologically enhanced, virtual and synthetic. Contemporary architects operate in a creative environment that is both real and digital; mixed, augmented and hybridised. This world consists of ecstasies, fears, fetishisms and phantoms, processes and spatiality that can best be described as Surrealist. Though too long dormant, Surrealism has been a significant cultural force in modern architecture. Founded by poet André Breton in Paris in 1924 as an artistic, intellectual and literary movement, architects such as Le Corbusier, Diller + Scofidio, Bernard Tschumi and John Hejduk realised its evocative powers to propel them to 'starchitect' status. Rem Koolhaas most famously illustrated Delirious New York (1978) with Madelon Vriesendorp's compelling Surrealist images. Architects are now reviving the power of Surrealism to inspire and explore the ramifications of advanced technology. Architects' studios in practices and schools are becoming places where nothing is forbidden. Architectural languages and theories are 'mashed' together, approaches are permissively appropriated, and styles are not mutually exclusive. Projects are polemic, postmodern and surreally media savvy. Today's architects must compose space that operates across the spatial spectrum. Surrealism, with its multiple readings of the city, its collage semiotics, its extruded forms and artificial landscapes, is an ideal source for contemporary architectural inspiration. Contributors include: Bryan Cantley, Nic Clear, James Eagle, Natalie Gall, Mark Morris, Dagmar Motycka Weston, Alberto Perez-Gomez, Shaun Murray, Anthony Vidler, and Elizabeth Anne Williams. Featured architects: Nigel Coates, Hernan Diaz Alonso, Perry Kulper, and Mark West.

Architecture And Surrealism


Author : Neil Spiller
language : en
Publisher:
Release Date : 2016-09-01


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A pioneering major survey on the rich relationship between the imagery and concepts of Surrealist art and the architecture of the twentieth and twenty-first centuries

Surrealism And Architecture


Author :
language : en
Publisher:
Release Date : 1978


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The Surreal House


Author : Jane Alison
language : en
Publisher:
Release Date : 2010


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Through a unique blend of art, photography, film, and architecture, The Surreal House presents the individual dwelling as a place of mystery and wonder. Fusing house and dream, it probes the relationship between interior and shell, object and space, and it elaborates “the marvelous” and “compulsive beauty” as espoused by André Breton. The haunted house, the cabinet of curiosities, the ruined castle, the cage, the cave, the box, the labyrinth, the bell jar, and the womb are among the uniquely surreal habitats explored. Shaped by the irrational and the subversive, the flip side of the modernist paradigm of the functional, rational dwelling, The Surreal House is ripe for discovery. Mirroring the surrealist love of poetic juxtaposition, the project brings together works by artists such as Edward Hopper, Marcel Duchamp, Giorgio de Chirico, Man Ray, Max Ernst, René Magritte, Joseph Cornell, and Salvador Dalí. A surreal legacy is to be found in the interiors of little-known Italian architect and designer Carlo Mollino, in Frederick Kiesler’s model for “The Endless House” (1957–59), in sculptures by Louise Bourgeois and Rebecca Horn, and in installations by Edward Kienholz and Ilya Kabakov. Contemporary architecture is represented by the work of Rem Koolhaas and Diller & Scofidio, among others. A manifesto for a poetic reading of the house, The Surreal House reflects on the unquestionable importance of the dwelling, the cradle of our being, in the imaginative realm. This richly illustrated account brings together a host of commentators and historians, and accompanies a major exhibition.

Drawing Surrealism


Author : Leslie Jones
language : en
Publisher: Prestel Pub
Release Date : 2012


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Drawing, often considered a minor art form, was central to surrealism from its very beginnings. Automatic drawing, exquisite corpses, and frottage are just a few of the techniques invented by surrealists to tap into the subconscious realm. Drawing Surrealism recognizes the medium as a fundamental form of surrealist expression and explores its impact on other media. Works of collage, photography, and even painting are presented in the context of drawing as a metaphor for innovation and experimentation. This volume, in addition to brilliant reproductions of drawings and other works by approximately one hundred artists, includes a substantial historical essay and illustrated chronology by the exhibition's curator, Leslie Jones, as well as informative essays by leading scholars Isabelle Dervaux and Susan Laxton. It also encompasses the contributions of a wide array of artists on a global scale - from the great figures in surrealist history to lesser-known surrealists from Japan, central Europe, and the Americas, where the movement had profound and lasting effects on the arts. Drawing Surrealism, which will become a definitive resource on the subject, offers a deep understanding of the techniques and concerns that made surrealism such an intimate perceptual revolution.

Surrealism And Cinema


Author : Michael Richardson
language : en
Publisher: Berg
Release Date : 2006-03-01


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Surrealism has long been recognised as having made a major contribution to film theory and practice, and many contemporary film-makers acknowledge its influence. Most of the critical literature, however, focuses either on the 1920s or the work of Buuel. The aim of this book is to open up a broader picture of surrealism's contribution to the conceptualisation and making of film. Tracing the work of Luis Buuel, Jacques Prvert, Nelly Kaplan, Walerian Borowcyzk, Jan vankmajer, Raul Ruiz and Alejandro Jodorowsky, Surrealism and Cinema charts the history of surrealist film-making in both Europe and Hollywood from the 1920s to the present day. At once a critical introduction and a provocative re-evaluation, Surrealism and Cinema is essential reading for anyone interested in surrealist ideas and art and the history of film.