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The Shock Of The New


Author : Robert Hughes
language : en
Publisher: Knopf
Release Date : 2013-08-14


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A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. From the Trade Paperback edition.

The Shock Of The New


Author : Ian Dunlop
language : en
Publisher:
Release Date : 1972


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Each of the seven exhibitions covered had an extraordinary impact on its times and on the course of modern art.

The Shock Of The Anthropocene


Author : Christophe Bonneuil
language : en
Publisher:
Release Date : 2017-02-07


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Dissecting the new theoretical buzzword of the "Anthropocene" The Earth has entered a new epoch: the Anthropocene. What we are facing is not only an environmental crisis, but a geological revolution of human origin. In two centuries, our planet has tipped into a state unknown for millions of years. How did we get to this point? Refuting the convenient view of a "human species" that upset the Earth system, unaware of what it was doing, this book proposes the first critical history of the Anthropocene, shaking up many accepted ideas: about our supposedly recent "environmental awareness," about previous challenges to industrialism, about the manufacture of ignorance and consumerism, about so-called energy transitions, as well as about the role of the military in environmental destruction. In a dialogue between science and history, The Shock of the Anthropocene dissects a new theoretical buzzword and explores paths for living and acting politically in this rapidly developing geological epoch.

The Shock Of The Fall


Author : Nathan Filer
language : en
Publisher: HarperCollins UK
Release Date : 2013-05-09


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WINNER OF THE COSTA BOOK OF THE YEAR 2013 WINNER OF THE SPECSAVERS POPULAR FICTION BOOK OF THE YEAR 2014 WINNER OF THE BETTY TRASK PRIZE 2014 It is recommended readers use the Publisher's Fonts as they are crucial to the storytelling.

New Worlds Ancient Texts


Author : Anthony Grafton
language : en
Publisher: Harvard University Press
Release Date : 1995


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On encountering what he called "the Indies", the Jesuit Jose de Acosta wrote, "Having read what poets and philosophers write of the Torrid Zone, I persuaded myself that when I came to the Equator, I would not be able to endure the violent heat, but it turned out otherwise... What could I do then but laugh at Aristotle's Meteorology and his philosophy?" Acosta's experience echoes that of his fellow travelers to the New World, and it is this experience, with its profound effect on Western culture, that Anthony Grafton charts. Describing an era of exploration that went far beyond geographic bounds, this book shows how the evidence of the New World shook the foundations of the old, upsetting the authority of the ancient texts that had guided Europeans so far afield. The intellectual shift mapped out here, a movement from book learning to empirical knowledge, did not take place easily or quickly, and Grafton presents it in all its drama and complexity. What he recounts is in effect a war of ideas fought, sometimes unwittingly by mariners, scientists, publishers, scholars, and rulers over one hundred fifty years. He shows us explorers from Cortes and Columbus to Scaliger and Munster, laden with ideas gathered from ancient and medieval texts, in their encounters with the world at large. In colorful vignettes, firsthand accounts, published debates, and copious illustrations, we see these men and their contemporaries trying to make sense of their discoveries as they sometimes confirm, sometimes contest, and finally displace traditional images and notions of the world beyond Europe. The fundamental cultural revolution that Grafton documents still reverberates in our time. By taking us into thisbattle of books versus facts, a conflict that has shaped global views for centuries, Grafton allows us to re-experience and understand the Renaissance as it continues to this day.

Sputnik


Author : Paul Dickson
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2009-05-26


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On October 4, 1957, as Leave It to Beaver premiered on American television, the Soviet Union launched the first man-made object into space-a 184-pound satellite carrying only a radio transmitter. While Sputnik I immediately shocked the world, its long-term impact was even greater, for it profoundly changed the shape of the twentieth century. Paul Dickson chronicles the dramatic events and developments leading up to and emanating from Sputnik's launch. Supported by groundbreaking original research and many recently declassified documents, Sputnik offers a fascinating profile of the early American and Soviet space programs and a strikingly revised picture of the politics and personalities-President Dwight D. Eisenhower, Wernher von Braun, and many others-behind the façade of America's fledgling efforts to get into space. Sputnik directly or indirectly influenced nearly every aspect of American life, from the demise of the suddenly superfluous tailfin and an immediate shift toward science in the classroom to the arms race that defined the Cold War, the competition to reach the moon, and the birth of the Internet.

The Shock Of The Real


Author : G. Wood
language : en
Publisher: Springer
Release Date : 2016-04-30


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Already in the century before photography's emergence as a mass medium, a diverse popular visual culture had risen to challenge the British literary establishment. The bourgeois fashion for new visual media - from prints and illustrated books to theatrical spectacles and panoramas - rejected high. Romantic concepts of original genius and the sublime in favor of mass-produced images and the thrill of realistic effects. In response, the literary elite declared the new visual media an offense to Romantic idealism. 'Simulations of nature,' Coleridge declared, are 'loathsome' and 'disgusting.' The Shock of the Real offers a tour of Romantic visual culture, from the West End stage to the tourist-filled Scottish Highlands, from the panoramas of Leicester Square to the photography studios of Second Empire Paris. But in presenting the relation between word and image in the late Georgian age as a form of culture war, the author also proposes an alternative account of Romantic aesthetic ideology - as a reaction not against the rationalism of the Enlightenment but against the visual media age being born.